"...These impromptu assembled parts, hinges and gears that look like magical machines are actually the basis of the motifs of the glass works. But as if they might show beyond their being mere motifs - as if in this form they are trying to relive the deepest magical character of the game, that the things of the world can be taken apart and put back together in millions of new versions and new variations. Through these works, I am trying to assert no less than that the world can not only be restarted, but actually is constantly being restarted. Each work is a new world. Artists who play with the physical reality of objects are probably able to show us this experience in new and new forms for centuries now, and make it relatable, let's call it constructivism or deconstructivism. Although the two words obviously mean completely different things, I think I see the child's play with magic in the same way in the genealogy of artistic isms that grow out of both concepts...."

Áron Fenvyesi art historian